Showing posts with label Random Harvest. Show all posts
Showing posts with label Random Harvest. Show all posts

Sunday, 31 December 2017

Happy New Year - lessons and beginnings

Well, 2017 was a crazy ride wasn’t it? As we stand on the threshold of 2018 I’m hearing my friends
At the Society of Authors/Writers in Oxford
party at Balliol College
on Facebook wishing one another better times in 2018, not just on a personal level but a global one. We seem to have spent the past twelve months reeling from one shock to another or feeling threatened by dark possibilities to come.

But the solstice has passed. Days are still dark but we are turning towards the sun. Now is the time of beginnings, of new edifices built on old foundations.

When I look back on my 2017 it is full of dark and light. The first quarter was one of physical disability and a sense that my horizons were closing in because I simply could not walk without serious pain. The knee injury of the autumn allied itself with the weakness in my hip. I couldn’t get up and down the stairs without a stick. I couldn’t get out of chairs without the stick. I felt about 105 years old – and I believed this was going to be my future. You can imagine how depressing that was.

Now, at the end of the year, things are very different. To my undying surprise, I find myself an active gym member. I do resistance training. My muscles are more toned and I’ve lost over half a stone. I have more energy. I go up and down the stairs and up from chairs without a stick. Yay! There is a lot more progress to make but I feel Olympian compared to how I was a few months back.

What is the lesson from this? That your body matters – it’s the vehicle of all your creativity and when it is unwell it is hard to be positive or make progress in any other sphere of life.

The other main aspect of my 2017 was the workload. I am glad to have helped so many students and editorial clients over the past year. It is extremely fulfilling. But when you realise you’ve edited 1.2 million words during the year and none of them were your own, you start to wonder when you will ever match the service you give to others with attention to your own writing ambitions.

The lesson from this is that the balance of elements in one’s life needs to be evaluated, constantly, because it is so easy to let one aspect get out of hand. To that end I will be cutting back on my editing role and launching a whole new Fictionfire activity in January. Wish me luck!

Highlights of my year were the Oxford summer schools, teaching at Winchester, holidays in Cornwall and Provence, the publication of ‘Salt’ in Distant Echoes and my poem ‘Cooling’ in Vine Leaves Literary Journal. I read quite a few books as part of my IGISIRI campaign – but not nearly enough, because of those 1.2 million words of clients’ books. My latest IGISIRI is Geraldine Brooks’ Year of Wonders, which I have meant to read for years. It was stunning. I’m hoping next year to be more consistent in my IGISIRI reading - for previous posts on what IGISIRI means, go here.

I’ll sign off now with my warmest wishes that you all have a creative, fulfilling 2018 year ahead of you. I’ll be back this week with news of my new Fictionfire venture and historical novelist Anna Belfrage will be guest-posting.


Happy New Year!

Lorna x

Are you a writer - or do you want to be? Visit my website to download your free guide to living a productive writing life.

Tuesday, 18 April 2017

IGISIRI books for March 2017 - what were your reads?

A reminder that I'll be teaching at
Winchester Writers' Festival in June.
 Bookings are now open
 so visit the website for details.
In February I told you about my IGISIRI campaign and I hope you were interested enough to start your own! If you remember, IGISIRI stands for 'I've Got It So I'll Read It' and the simple concept is that you read two books a month, two books you already own and are selected quickly and without too much thought or dithering from the many many I know are sitting on your bookshelves. If they're anything like mine, they reproach you silently every time you scan those shelves. 'Read me, read me!' they plaintively call ...

So here, slightly late, are my ISIGIRIs for March (it's not my intention to write full reviews here - just record them and draw your attention to them in case they might interest you):

Jessica Bell: The Book - a novella written in several different voices, at the heart of which is a troubled child. Compelling in its satire of relationships and the lies we tell ourselves, with a very moving ending.

Clare Flynn: A Greater World - a damn good historical read, mainly set in Australia after World War 1. A classic search for self and love against a very well realised backdrop.

Kathleen Winter: Boundless - a poetic account of being writer in residence on board a ship travelling through the North West Passage. Fascinating blend of history, travelogue and introspection.

Marcus Ferrar: The Fight for Freedom - a lucid summary of how various kinds of freedom have been worth struggling for over more than two thousand years of civilisation.

As you'll see, instead of two books, I give you four! That's the remarkable thing - in saying I only read two I seem to facilitate the ability to read more than that.

I hope you'll join me and share your recent IGISIRIs
- you can do so by commenting on this post or by visiting my Facebook pages, Lorna Fergusson Author and Fictionfire-Inspiration-for-Writers.

You can see my introductory post about IGISIRIs and the books I read in January here.

Wednesday, 22 February 2017

What is IGISIRI? Well, it's to do with reading ...

This photo tells you something about what is known by addicted book-buyers as the TBR pile. This is just a tiny corner of mine! Shelves fill up, nooks and corners fill up, the space by the bed fills up, the floor starts to disappear ... wonderful books, all deserving of attention, all wait patiently to be read.


So today, I want to introduce you to a fun activity to help you start to tackle the TBR pile if you ever, like me, stand in front of your bookshelves and find yourself in a state of guilt and near-panic! Do you find yourself overwhelmed by the sheer number of books sitting there, beautiful, enticing, intriguing, entertaining, worthy, informative – and you haven’t read them yet? Do you worry that you never will? Do you approach the shelves determined to pick one to read – and then, because there are so many, you can’t choose?! Argh!

I’ve been in that state of mind all my adult life, it sometimes feels! So, just after Christmas, I made a decision.

I am going to tackle the To Be Read pile, I said to myself.

A small voice deep in my brain, chortled at that. Not for the first time.

Ah! But I have a cunning plan, I replied.

Oh yeah? The small voice said.

Yeah!

This is what I’m doing – and I’m inviting you to join in, if you like. This is not an ambitious, discipline and demanding reading programme. Like diets, plans like this are all very well when you start, but real life and distractions pull you away from sticking to them.

So here it is, and it's really simple. I decided to read two books from my TBR pile, per month. Couldn’t be simpler. Not one book a day or week. Two per month. But they have to be from the TBR pile – not newly-bought ones. I am playing with the notion of making one fiction, one non-fiction, but that’s not a binding rule. The whole point about this is not to feel bound at all, not to be obligated, driven or burdened. I make my decisions each month as quickly and spontaneously as possible because if I look at the shelves for too long then all those lovely books will start nagging me – Pick me! Pick me!

I walk over, grab one, start. There we are.

So far it’s working – and the paradox is that I’m actually reading more than two because there’s a kind of playful liberation going on with this process.

Want to join me? I’m going to post which TBR books I’ve read each month here on  Literascribe, and on my Facebook pages – both LornaFergussonAuthor and Fictionfire-Inspiration-for-Writers. I may say a few words about them, I may not. I am not going to write long reviews because then the playfulness will go out the window and I’ll feel like I’m tackling a task – guilt and pressure will sneak back in, before I know it.

If you’d like to join in – I’m calling it ‘I’ve Got It, So I’ll Read It!’ (IGISIRI for short) - add what you’ve been reading to my Facebook page discussion, or subscribe to Literascribe and add your comments. If you discover one of those books that has been lurking on your TBR pile is a total gem and you think everyone should read it – let us know! (Although, of course, that will mean you’re adding to our TBR piles …!)

To kick us off: my IGISIRI books this year so far are:

·       Georgette Heyer’s Snowdrift – a Christmas gift from my sister, a collection of short stories which were a nostalgic pleasure
·       Vanessa LaFaye’s Summertime – beautifully written, set in Florida after World War I and culminating in an edge-of –the-seat account of the worst hurricane ever to hit that region
·       Catherine Ryan Howard’s Distress Signals – an enjoyable thriller set on a cruise ship, with really sparky dialogue

·       Jane Alexander’s The Last Treasure Hunt – a darkly witty satire on our hunger for fame and how feeding the public’s hunger for inside stories can spiral out of control. 

Thursday, 2 June 2016

Moonstruck: Meeting Buzz Aldrin

I’m sitting in the gallery of the Sheldonian Theatre, one of the most beautiful if not one of the most comfortable venues in Oxford. Looking down across the packed floor, I see a tanned face and a white beard through the glass of a side door. Moments later, in he comes, wearing a beige blouson jacket with embroidered badges on it. He waves like a king and air-punches like a prize-fighter as he makes his way through the applauding crowd.

He’s Buzz Aldrin.

His sassy, witty ‘Mission Director’ Christina Korb conducts the interview, trying to keep him on the straight and narrow, but even she has trouble managing the blurted reminiscences and anecdotes. The man is bursting with things to tell us. He’s opinionated, forceful, waving be-ringed hands, boasting about the Omega watch he wore on the outside of his spacesuit because it’s kinda hard to see the time otherwise.

I read Andrew Smith’s fascinating book Moondust: In Search of the Men who Fell to Earth several years ago, struck by the poignant reason for its composition. At that time, only nine men were alive who had walked on the surface of the moon, so he set about interviewing them while he could.

Well, there’s fewer than nine now. That is why several hundred people have queued in the chill rain outside and will later queue for the best part of an hour to get their books signed. I’m one of them. For a moment, we’re in contact with history, with what now seems a lost idealistic era. I grew up with the sense that space held all potential. I’d read Edgar Rice Burroughs’ Martian and Venusian series, and Isaac Asimov and Arthur C Clarke and Ray Bradbury. The stars, the planets and the dear old moon itself held out dreams of human aspiration, adventure and fulfilment.

So we lap up the bombast and the showboating, enjoy the clearly oft-repeated wisecracks, the whole display of it, because although this man is 86 now he is more alive than most we’ll ever meet and this man walked on the moon! He wears a T-shirt saying ‘Get your ass to Mars’ and is passionate about sending humans there, saying that a human can do in a week what took Spirit and Rover five years. He describes his spacewalk, saying he ‘wanted to putt putt putt around like George Clooney in Gravity.’ He’s contemptuous of the Russians – yes, they put Sputnik up there but ‘if you put up a dumb satellite you don’t give it a parade and everybody loves a parade!’ What’s more, they put a dog in orbit and left it there – ‘at least we brought our monkey back.’ He expresses regret at the loss of Neil Armstrong and talks of his family and the kind of destiny he’d felt – his mother was called Marion Moon and his father knew the Wright brothers – yup, it was all meant.

The door of the Sheldonian open with a view
 of the Bodleian's Divinity Schools behind
When I eventually reach the head of the queue and he signs my copy of No Dream is Too High, I burble something about looking up at the moon from a Scottish garden when I was a little girl, amazed to think he was up there. ‘My mother came from Edinboro …’ he smiles and I pass on, past the selfie-taking crowd. Outside the Sheldonian I wish the clouds would part and I could see the old man’s stamping ground.

I remember another night, years ago, when I looked at the moon and it gave me an idea for a story of ‘something strange, spectacular and out of this world’ that grew into a children’s book, Hinterland, still not published though it made it to the shortlist of a significant prize in 2013. I remember the magic of writing that story, of describing grey dust and a terraced crater like an amphitheatre and ‘hanging like a jewel against the dense black void, with fat blue oceans and swirling white clouds’, our planet. And I think to myself, I need to rediscover what that story meant to me, and maybe, just maybe, roll it out onto the launchpad once more and send it into the ether myself.

So thank you, Buzz.

And thank you, Blackwell’s Oxford (best bookshop in the world), for hosting this event!

Further reading:

Buzz Aldrin: No Dream is too High – Life Lessons from a Man who Walked on the Moon
www.buzzaldrin.com
Andrew Smith: Moondust: In Search of the Men who Fell to Earth
Andrew Chaikin: A Man on the Moon: The Voyages of the Apollo Astronauts



Raindrops really, but these white globes
lend a suitably otherworldly tone to this picture of the Sheldonian!


Monday, 18 May 2015

Considering self-publishing? Jessica Bell shows you the stress-free way

I've known Jessica Bell for a few years as a fellow member of the Alliance of Independent Authors. She's an extraordinary person, charged with energy. Her output is simply amazing: she's a writer, poet, cover designer, musician  ...

I'm posting to recommend the latest in her series, Writing in a Nutshell: these are nifty, pithy manuals helping writers with aspects of composition and here, with self-publishing. Jessica herself explains it best:

Are you ready to self-publish your book, but dreading the massive learning curve? Well, there’s no need to dread it anymore!

This sixth instalment in the bestselling Writing in a Nutshell series will not overwhelm you with all information available—it will tell you exactly what you need to know, without the faff, by following a foolproof, cost-efficient, time-efficient, extremely easy-to-follow, step-by-step self-publishing method, so that you can go from manuscript to a professionally published book within one week.

You’ll learn how to: prepare your manuscript in Microsoft Word, design your paperback and eBook cover, prepare your front/back matter and blurb, format your paperback interior & eBook, proofread your designed pages, register with desired retailers/distributors, export your eBook to a retail-ready file and upload your paperback and eBook to retailers/distributors.

Not only will this book save you time and money, but it will also save you from inevitable stress. What are you waiting for? Grab a copy of Self-publish Your Book today! 

With Jessica at the London
Book Fair, 2014
Visit Jessica's site at www.jessicabellauthor.com to find out more about the series and all her other activities, including her book cover design service. You can buy her books via her website or on Amazon. Self-Publish your Book is available as an ebook or paperback.

Visit the Alliance of Independent Authors for incredibly useful resources and a warm, supportive community to help hold your hand along the self-publishing path. 

Friday, 3 April 2015

The Last Treasure Hunt - follow the trail of clues!

Following on from author Jane Alexander's guest post on crafting fiction yesterday, here, as promised, is the next clue in her publisher Saraband's exciting treasure hunt to win a signed copy of The Last Treasure Hunt - and more!

Clue 7

There was something strange about this lady
Who’s usually the reverse of shady
Normally she points the way
And she’ll do so again, another day.

#treasurehunt

How the hunt works:

·       Each clue refers to a landmark or iconic location in a film. The landmark/location is the answer – when you figure it out, make a note of it!

·       (If you need a hand, check out the #treasurehunt hashtag on Twitter or Instagram for a hint to the landmark’s location…)

·       Clues will be revealed by some fantastic book bloggers from March 26th until April 21st. Keep checking back on Jane Alexander’s dedicated treasure hunt page (janealexander.net/join-the-hunt) or on the #treasurehunt hashtag for links and new clues.

·       When all the clues are revealed, the first letter of every answer will make an anagram. Solve the anagram and you have your final answer!

·       Email this answer and all the landmarks you figured out to hermes@saraband.net by April 30th to be entered into the prize draw. Two entrants will win a signed copy of The Last Treasure Hunt – and if you’ve guessed the most landmarks and locations, you’ll win a goodie bag and something special from Jane personally! On top of that you’ll get bragging rights on Twitter and we’ll publicly dub you queen/king sleuth.

·       Good luck!


About The Last Treasure Hunt:
At the age of thirty, Campbell Johnstone is a failure. He's stuck behind the bar of a shabby pub, watching from the sidelines while everyone else makes a success of their lives. The most visible is Eve Sadler, a childhood friend and rising Hollywood star. When Campbell tries to rekindle their relationship, he longs for the glitter of her success to rub off on him, but a single shocking night - the novel's shattering twist delivered with a knockout punch - changes everything. Campbell is about to discover the bittersweet taste of fame, and in the process, struggle to save his soul and overcome his own self-delusion.
The Last Treasure Hunt explores our obsession with fame and celebrity with great intelligence and sly wit - it's a modern media morality tale with bite.

Praise for The Last Treasure Hunt:
'The Last Treasure Hunt quickly asserts itself as something unique ... a masterclass on what happens when empathy is absent. [Jane Alexander's] debut novel marks the arrival of an important new voice.' Gutter Magazine

Praise for Jane Alexander's short stories:
'A trumpet call of urgency and great promise.' The Scotsman

About Jane Alexander:
Jane Alexander's short stories and creative non-fiction have been widely published in a number of anthologies and literary magazines, including Mslexia, Litro and The Orphan Leaf Review. A winner of a major national story competition, and the recipient of a Scottish Arts Council New Writers bursary, Jane is also a lecturer in creative writing at the Open University.

The Last Treasure Hunt
Publication date 26 March 2015
Publisher Saraband
ISBN: 9781908643803



Friday, 23 January 2015

Testament of Friendship and Loss


January: you spar with resolutions to turn your life around. You fall for the notion that at the turn of the year you can flick a switch and be remade. You can put things behind you and move on into a bright new future.

It’s important to feel that way. It’s important to assess where you are and take steps to redeem/reform/renew your life. Time is an arrow: its flight is to the future. Go with it.

Time is also a net, though. It traps and holds you, even while you poke your reaching hands out through its mesh. It’s a boomerang, rapping you on the temple, bouncing you back to your roots.

So, this is a very personal post, this January. For many years I’ve dreaded this time of year because of huge personal loss. Now, I have even more reason. A year ago (the day after, ironically, the other dark anniversary) my friend walked out of her life. Out of all our lives. We didn’t know that then – we only knew she’d gone missing. For nine weeks of hoping but dreading, that was all we knew for sure. Then she was found. Two weeks after that, we attended her funeral.

It’s hard to put into words what the past year has been like. No day has gone by without thinking of her, of her husband and son, of her sister and parents. No day has gone by without thinking of what she went through and of blaming myself for not seeing how bleak her inner space had become.

So, on this anniversary of her leaving us, I want to write about my friendship with her and what it meant to me.

There are junctures in your life when it really matters who you meet. University is one of these: it’s a crucible for forging deep and binding friendships. There are experiences shared there which are different from those of later life. You are searching for yourself, for who you are – and in that search you find yourself by ‘trying on’ friendships. Some fit only for a season, then the fashion passes. Some fit for a lifetime and never wear out.

I met Susan at Aberdeen University in the mid-1970s; we became close as we progressed through a demanding and exciting four year MA in English Language and Literature. I specialised in medieval literature, she specialised in linguistics. We were typical students – we’d drink and dance at the Students’ Union, where Susan would endeavour to save me from yet another inappropriate romantic obsession. We’d scoot out of the library after all of forty five minutes of work, to sit for hours in King’s Pavilion, drinking coffee and bemoaning our heavy work-load. I mean, three long essays in a term! Count them! Three!

In 1979 we sat for the last time in the exam room in Elphinstone Hall. That last exam was Old Norse. When we turned the paper over we looked up at each other and smiled, because it was a good paper. A couple of hours later we were sitting in a nearby pub where old men nursed their pints and young men argued about football. We two, fresh from the world of the sagas, shell-shocked, realising that had been our final Final paper.

We had the rest of our lives to look forward to. Unknown territory. Scary.

Life took us on separate paths. Susan studied librarianship at Aberystwyth, then settled in Dundee. I had a tough year in Aberdeen before moving to Oxford. I visited her in Dundee at the start of 1982, when the temperature went down to minus 25 and the air came into your lungs like a stiletto – we went to a local health centre for a sauna just to thaw out. In 1983 I attended her very lovely wedding and cried to listen to her father’s speech about her, full of love and pride.

She visited Oxford, of course, both before and after her marriage, and we met up in the Dordogne when she and her husband were holidaying near where we were. Later, Susan and I were pregnant at the same time. I could go on, listing the meetings which grew more sporadic as the years went by and our lives were full of the business of living.

On her last visit to Oxford we had a long giggly lunch at the Ashmolean, reminiscing about our past, as old friends do. We listened to the choir in Merton College singing for Advent and that entranced her. It was in the Ashmolean that I took the photo of her, full of joy, which was to gaze out at me so poignantly from Facebook timelines and news reports during the time she was missing.

I knew, of course, that the strains in her life were affecting her and that darkness hovered. Yet I underestimated the risk because after a phase of non-communication she’d come back into the light and be Susan still. Her pain, though, became a den into which she withdrew. None of us could accompany her there. None of us could take her by the hand and lead her out, like Eurydice returning from the underworld.

Now that she has been gone for a year, I want to say something that captures what she was. I don’t think I can. Four hundred people came to her funeral. That says something about her. She was – and here’s the irony – a joy. A joyous person. She was empathic, gossipy, acerbic, warm. We shared a love of books, it goes without saying. We shared those moments of finding your way in the world. She understood me and thought more of me than I deserved.

She had a quick wit and a sentimental streak. Her laugh was unrestrained and irresistible. She was devoted to her parents, to her man, to her boy. She never failed in her love and her protectiveness. She learned to fight against the unyielding system, fight for her husband when he could no longer fight for himself. She endured the strain, she found religious faith, she drew love to her everywhere she went, she spread ripples of worry and grief when she left all our lives.

She was beautiful and utterly feminine. Four hundred miles apart, we would often buy the same scarf, the same necklace. It was a joy to buy a gift for her and it breaks my heart that I never will again.

Last year, her loss wasn’t the last loss. My dear brother-in-law abruptly left this life too, and there is a different sort of devastation involved in that.

My responses to Susan’s death have been complex, riddled with guilt and bewilderment, for hers was a chosen departure. We can understand that choice but feel mangled by it, for we knew her value and the value of her life. All bereavement involves selfishness – ‘What about me?’ we cry. ‘How could you leave me?’

How, though, feeling as she did, could she stay?

Since her death, white feathers have floated onto my path, in through my window. I’m not airy-fairy in my beliefs, but still, I gather and keep them. Keep sending those feathers for me, dear friend. Keep forgiving me for not being aware enough. The black dog has growled at my door before. I should have known he was on your trail and hunting you down.

Wednesday, 31 December 2014

What have I learnt from 2014? Sharing thoughts about getting back on track when life derails you.


Sunset at Sennen, Cornwall
So, here we are again, at the cusp of the year, the transition point where we look forward and back. As I review the past twelve months, I rejoice in many things: the love of family and friends, a comfortable home in one of the most gorgeous cities on earth, professional progress, two significant writing competition wins, a growing network of supportive writing allies.

However, 2014 has also been a ghastly year. I started it with fine, overly-ambitious plans. In January a very dear friend went missing. Many weeks of agonising anxiety later, her body was found. I struggle on a daily basis with this, because she was a special, joyous person who’d been such a significant person in my life – and now she was gone, far far too soon, into the dark. A couple of months after her funeral, my brother-in-law, staunch, cheery, loyal and loving, devoted to my sister, had died – his death also completely out of the blue.

Shock and grief derail you. In despair and devastation, work is something to cling to. It gives shape to the days, it provides distraction. However I have at times taken on too much, driven myself too hard. I’m not one of life’s delegators – I always want to do it all myself. Over the past three years I’ve trained myself to work at dead of night – I’m a natural owl anyway. But I’ve taken it too far and for too long, to the detriment of health and concentration. And apart from the spurts of creativity which led to those competition wins, my own writing has ended up like the relative you haven’t rung in ages. Week by week it becomes more difficult to pick up the phone.

So what now? No resolutions – I don’t feel brave enough for those. Resolutions are broken and you’re burdened by that breaking. When I ran my workshop/retreat in St Ives in the autumn, we agreed it was better not to talk of ‘goals’ and ‘targets’ so much as anticipated ‘benefits’ from what we do.

Here, then, are how I hope to create benefits in my life in the coming year:

Balance

I need to find a better work/life balance and a better balance between helping other writers and paying attention to my own creativity. I don’t want to feel exhausted all the time. I want to refill the well and dip the bucket into the well.


Focus

I’ll continue to run my workshops in Oxford because I absolutely love face-to-face teaching and interaction. I’ll be running my second Fictionfire by the Sea Writers’ Workshop and Retreat in April and I can’t wait to see St Ives again. I’ll be teaching at the Writers’ Festival at the University of Winchester in June and in July and August will run creative writing summer schools on two Oxford University programmes. I’ll continue to edit and appraise manuscripts and mentor writers, of course, but will be wary of over-commitment in these areas.

Creation

I have so many stories waiting to be written or waiting to be revised and published. I won’t set specific dates but I will aim to get more of my work out into the world this year, not locked into hard drives and tucked into folders. The important thing, whether I have two readers, two hundred or two thousand, is to make the work available on my own terms.

How to do this? I have to learn to inhabit my own stories once more. When working on a client’s manuscript, in a way it becomes my manuscript – I have to live inside that story to discover its achievements and its flaws, to evolve suggestions for improvement. It’s an incredibly rewarding process and it’s a great responsibility when a writer entrusts their work to me – but at the same time, it puts me at a mental distance from my own imagination and my own plots and characters.

Re for revive

To sum up, 2015 means rebalancing of elements and rediscovering of joy – I hope. I aim to redefine the structure of my time, because I’ve slipped into a habit of being in Fictionfire mode seven days a week. I need to set aside days for my own writing and days for being free of all of it. I want to read more – I want to rediscover splurge-reading, from cover to cover, not getting through a book in sporadic, interrupted segments.

Someone very wisely said to me recently that I need to try treating myself as I would a client. So, balance, focus, kindness, honesty, nurturing myself instead of hectoring myself – I will try to incorporate these into my writing life.

As the New Year dawns, you might like to examine how you balance the elements of your life. Do you give yourself downtime? Have you evaluated where you stand and where you want to go and analysed how to optimise your chances of getting there? Bereavement makes us take a step – no, several steps – back from our own lives. Where are you in your life’s journey? (I hate to use the ‘j’ word, but it actually is the best metaphor for how we see our life-stories unfolding). If you’re young, you see numerous potential routes ahead and the sheer choice may dizzy or alarm you as much as excite you. If you’re older, those choices may have narrowed and you may worry that you chose the wrong paths. Is it too late to retreat? Can you make the best of the path you’re on? Can you choose another?
Sunrise over St Ives Bay

Take the long view of your life. What do you want to achieve with it? Achievement doesn’t need to mean money and glory. Achievement is that sense you have within yourself, quiet and satisfying, that you’ve made progress, that you’ve added something to the significance of your life that wasn’t there before.


I wish you balance, focus and the joy of creativity. I wish you love and fulfilment. I wish you every benefit you would wish for yourself in the coming year.

Fictionfire Literary Consultancy - the new series of Focus Workshops in Oxford will be announced imminently. Fictionfire by the Sea Writers' Workshop and Retreat in St Ives in April - places are already very limited. Sign up on my website to join the mailing list for news of workshops, courses and new developments.

Photographs copyright Lorna Fergusson


Thursday, 9 October 2014

Writing Inspiration in the Far West: Liz Carr guest-posts about Cornwall, creativity and her cottage, An Dyji

Zelah Studio,
looking out over St Ives Bay
(photo courtesy of
Lynda Davies)
My lovely writing friend Liz Carr guest-posts about what Cornwall means to her and about her cottage, An Dyji, which she bought and renovated as a holiday let and a haven of creativity. Those of us who visit and love Cornwall will understand full well the appeal she describes here!

I discovered Cornwall when I was a child on summer holidays. Learning to body surf on Fistral beach, eating gritty cheese sandwiches, drinking soup which was either scalding hot or barely tepid from a wide-necked Thermos: these are some of my earliest memories.

As an adult, I returned to the county – and specifically St Ives – thanks to my closest friend, who so generously shared her lovely house with me and other worn-out London refugees. Zelah Studio, standing above Porthgwidden beach, will be our venue for Fictionfire by the Sea, thanks again to Lynda’s vision of her house as a place of creativity.

The Merry Maidens
The layers of Cornwall’s history fascinate me: almost hidden from modern view stand mysterious worked pieces of monumental stone – remnants of its origins as an ancient and sacred place, separate from the rest of the country. Its magical quality hooked me early on. It was very easy to imagine piskies and other spirit creatures darting in and out of the great stones of Men an Tol or dancing among the Merry Maidens. It’s still easy for me to narrow my eyes and see mermaids swimming round St Piran’s rock, luring unwary fishermen into their underwater secrets.

In the eighteenth and nineteenth centuries, Cornwall’s copper and tin mining industries overlaid the landscape. Now the ruins of mine chimneys, engine houses and lichen-coloured iron workings are visible on the skyline.

And today the far west has another life: as a sought-after destination for artists, writers and holidaymakers who come to enjoy the wonderful light, clean sweeps of pale sand and a turquoise sea that looks as though it belongs in the Caribbean.

In January 2014 we found ourselves able to invest in a small stone-built cottage just outside St Ives. At first sight, things weren’t too good. The house hadn’t been touched for about thirty years, and it definitely needed some TLC. But we knew it could be so different.

An Dyji
After just two months, An Dyji was reborn as a cosy two-bedroom cottage, ready for visitors. The name means ‘the small house’ in Cornish, which was its nickname throughout the works. We love being there: it’s tucked away in a hundred acres of woodland, but is only six minutes from the sea.

It’s the perfect place if you want to relax, recharge and rediscover your creativity. There’s something about being away from home that helps you to leave stuff behind and free your mind. Sighing: this is what happens to us the day after arriving. The combined effects of clean air, sparkling light and an ever-changing seascape cause muscles to unclench and jaws to unlock. The place gets in your bones and before long, you’re thinking about a new project or looking at your existing work with fresh eyes.

An Dyji
So, why not join us for a weekend exploring spirit of place, the spirit that the far west of Cornwall gives us? The programme is a unique blend of inspirational taught workshops and quiet writing time. We’ll be working with a group of like-minded people, and I’m looking forward to meeting Ann Kelley, an award-winning author who’s based locally. It’s going to be a fruitful two days, but for me the most important aspect is precious space and time.

Who knows what might happen?


You can find out more about An Dyji and book accommodation there, whether you're attending Fictionfire by the Sea or not, at www.stivesretreat.co.uk 

Fictionfire by the Sea Writers' Workshop and Retreat, 17-19 October 2014 in St Ives - details here. Bookings close on 15 October.

If you can't make it to Cornwall, Fictionfire Focus Workshops in Oxford, Oct - Dec 2014 are here.

Guest-speaker at Fictionfire by the Sea is Ann Kelley - see my post here.

(All photographs, except where noted, copyright Lorna Fergusson)






Saturday, 17 August 2013

Magical Books at the Bodleian Library Oxford

Mr Tumnus and friend, perhaps,
in front of the Bodleian and the Radcliffe Camera, Oxford
In Oxford, the Bodleian Library's free exhibition until 27th October features modern children's fantasy writers and the books and manuscripts which inspired and influenced them. This post is the article I wrote for the newsletter of Writers in Oxford - we were allowed a preview of some of the exhibits back in March. I urge you to visit if you're in Oxford this summer, especially if you're a fan of Tolkien, Lewis or Philip Pullman! (I wish I had some more images but I haven't been able to track down the shots I took that day and exhibition images on the Bodleian's website are protected by copyright!)

MAGICAL MANUSCRIPTS: A PREVIEW FOR WiO MEMBERS, 20th March 2013

Spring 2013. Freezing. The White Witch rules. On Twitter, someone pleads ‘People of Oxford, stop eating the Turkish Delight!’ Twelve Writers in Oxford members gather in Narnian temperatures at the Radcliffe Science Library. Adjusting to the tropical conditions inside, we’re conducted down to a small room, lit harshly, where we’re privileged to view a choice selection of Magical Manuscripts, which will form part of an exhibition at the Bodleian from May 23rd.

On display are original works by fantasy writers J.R.R. Tolkien, C.S. Lewis, and Alan Garner alongside texts which inspired them. ‘Marvels of the East’, from the 12th century, illustrates fabulous beasts and a perky-looking man with his face looking out from in his chest. Then there’s a 15th century necromantic manuscript, full of spells, conjurations and ‘experimental true experiences of angels’; an early 17th century miscellany with instructions on ‘how to see by thy self in a cristall stone’, with circular charms to help you avoid death by sword and poison, sealed with ‘Abracalabra’; and a gorgeous picture of jousting knights in ‘The Romance of Gyron le Courtois’ from the late 15th century.

It’s fascinating how the modern writers drew on this sort of material. We see a notebook where C.S. Lewis wrote about Digory Kirke’s boyhood: how neat his writing was, how uncorrected. The three pages of Alan Garner’s The Owl Service, by contrast, are exuberant, with spikily graceful writing and many scorings-out, yet precisely dated to the 20th March 1965. Garner, we’re told, drew on Arthurian myth and consulted the Rawlinson necromantic manuscript mentioned above.

Finally, Tolkien. I was lucky enough, many years ago, to read the manuscript of The Lord of the Rings at Marquette University in America, so I was familiar with his process of composition, feeling his way from ‘Hobbit Mark II’ to a richer epic tale, and his habit of drawing pictures to bring his imagined world into focus. The exhibition includes Tolkien’s mock-ups of pages from The Book of Mazarbul, carefully distressed with pipe-smoke, their edges burnt like the manuscript of Beowulf. A sketch of Shelob’s lair sits beside the script in pencil overlaid with ink, describing that episode.

Everyone is struck by Tolkien’s watercolours, executed in poster paint in the 1930s, some of them familiar from published editions, but here more vibrant, a blend of the naïve and the intricately precise. Bilbo bowing before the red-gold dragon on his hoard of treasure, Rivendell in spring green with tiers of flowing water and blossomy branches, rather like a Japanese painting, and best of all, an eagle among the mountain peaks, looking out over cloud, snow and ice-blue sky. A picture like a breath of the North Wind blowing – the very wind that is still blowing when we leave the library. The White Witch hasn’t given up her rule yet.


And here's the link to my blogpost about an earlier exhibition, Shelley's Ghost: http://literascribe.blogspot.co.uk/2011/03/shelleys-not-so-blithe-spirit.html

In other news: well, there's no news, as yet, about the Macmillan Write Now Prize - I'm on the shortlist of four and I think the announcement of the winner is due at the end of the month, but can't guarantee it. On tenterhooks!

I've just taught a summer school held by the university at Exeter College - the college both Tolkien and Pullman attended. I was teaching in the Morris Room - so really, there's no getting away from literary connections in this city!

My novel The Chase is available on Kindle, Kobo, and as a paperback. I'm currently working on an anthology of short stories and a historical novel, set in the 19th century. 

In the next few days I'll be announcing Fictionfire workshops and an exciting day course for the autumn/winter season!

Friday, 13 July 2012

Inheritance of Time: Alison Weir's book launch at the Tower of London

Regular readers will know how keen I am on history and historical fiction, so I was delighted when Alison Weir invited me to the launch of her new book, A Dangerous Inheritance, at the Tower of London on Wednesday evening. For many years, Alison has been famous for her numerous books on history, covering subjects from Eleanor of Aquitaine to Henry VII's wives. A few years ago, she started writing historical fiction too, her first novel, Innocent Traitor, being about the nine days' queen, Lady Jane Grey. Her close knowledge of the period has of course lent all her novels authority, plus readers are always keen on the 'what might have happened' possibilities of history. Her latest has two central characters: Katherine Grey, imprisoned in the Tower like her ill-fated sister Jane, and Kate Plantagenet, the illegitimate daughter of Richard III, who has set herself the task of finding out what happened to the Princes in the Tower, seeking to clear her father's name of the crime of murdering them. The two time periods and the supernatural hints put me in mind of Barbara Erskine.

As in her other novels and in much of popular historical fiction, Alison explores the position of women in times of threat and oppression: women who are married off or discarded at will, women who are expected to breed or not breed as the politics of the time demands, women who are expected to be passive even when treated cruelly and unjustly, women who are victims of dynastic struggle.












The launch was held in a gorgeous room in the New Armouries building of the Tower and it was extremely well attended: Alison clearly has legions of loyal fans. She talked fascinatingly about the research she's done for the novel and of her view of the two main characters, interspersing this with readings. Kate Plantagenet is the more obscure, less-documented character. The benefit of this is that Alison has had more scope to imagine what she was like and what actions she might have taken, whereas Katherine Grey's life is much more fully recorded. Clearly Alison sympathises with both, but with perhaps a slight note of impatience towards Katherine Grey, who probably wasn't the brightest of bunnies compared with her formidably learned sister. What does create enormous sympathy, though, is how young these girls were when dreadful events overtook them. This reminded me of the unfortunate Katherine Howard, Henry VIII's fifth wife, whose air-headedness brought her to the block. In another era, she'd have just been yet another giggling girl, with her fads and fancies and promiscuity, and eventually she'd have grown up and settled down - only she wasn't given the chance.

Alison went on to talk about writing historical fiction in general and engaged in a lively question and answer session with her audience. She discussed the perennial problem of diction in historical fiction - the tension between two many prithees and a jarringly modern tone, agreeing that it's impossible to please everyone with the language you choose. She talked of the joys of switching between history and fiction and how she's getting more used to using a 'dollop of imagination', while at the same time making sure it's an 'informed imagination'. She told us how her agent said at one point 'You've got to come off the fence and stop being a historian and start being a novelist.' She never loses her love of research, the desire to find out, the desire to base her ideas on evidence. With regard to future topics for her history books, she said 'I don't count sheep at night, I count subjects I can write about!' Before signing books and chatting to fans, she declared 'It's lovely to be let out to do events' after the solitary writing process.

Afterwards, I took the opportunity to stroll around the Tower site. Scroll down to view some of the photos I took: I was particularly struck by how the views blended ancient and modern - a plane heading for Heathrow passing by the weathervanes on the White Tower, Tower Bridge in the background with the giant Olympic rings hanging from it, the very striking glass sculpture etched with the names of those who were beheaded on Tower Green, the sign inviting us to visit Torture at the Tower, the gleaming pyramid of the Shard seen beyond the half-timbered house where Guy Fawkes was questioned. Everything neat, manicured, signposted for tourists, and yet chilling. That tidy lawn saw executions. That tower saw imprisonment of despairing souls. That gate on the water let in those who would never depart. It's a fantastic tourist attraction - but we should all feel more than a delicious shiver at the thought of the past's dark deeds. The raven himself was hoarse that flapped down past me to land on the Information booth ...

Arch under the Bloody Tower

Traitor's Gate